Herbs and gemstones
Marbod von Rennes
Great power is given to herbs, the greatest to gems.
Original text
Ingens est herbis virtus data, maxima gemmis.
Pliny the Elder (23/24–79 CE), a Roman writer and naval commander, brings together some remarkable observations about rocks in the thirty-sixth book of his Natural History. One of them takes him to the neighbourhood of Munda in Spain. Break open a stone from that district, he reports, and a pattern may appear on the fresh surface. Its outline can be described by naming a single familiar part of a plant.
In the vicinity of Munda in Spain, the place where the Dictator Caesar defeated Pompeius, there are stones found, which, when broken asunder, bear the impression of palm leaves.
– Pliny the Elder, Natural History, 1857, p. 358.[1]
It is easy to miss the small interval between breaking and recognizing. From the outside the observer could have had little idea of what was about to come to light. Only when one piece becomes two does a previously inaccessible surface face the light. The eye then needs a comparison. The axis of a palm leaf and the narrow divisions to either side give it a pattern recognizable even from a few strokes.
Pliny gives a place and an appearance. He does not say whether an actual leaf once lay between the layers or explain how this particular rock formed. His choice of a word for an image is therefore important. It tells a reader what to look for while leaving the origin open. The same passage mentions bones and ivory reportedly found in the ground. Set side by side, the observations show how much the naming of a find depends on a trained eye. A familiar leaf becomes an instrument of description even when the author can put neither the specimen nor the leaf into a reader’s hand.
SearchHerbs and gemstones
Great power is given to herbs, the greatest to gems.
Ingens est herbis virtus data, maxima gemmis.
Courtly romance
By the power of the stone the phoenix burns until it turns to ashes. The ash in turn gives birth to life for him.
Wolfram von Eschenbach (c. 1170–c. 1220)
Wolfram’s von Eschenbach Parzival und Titurel. Zweiter Theil · p. 146
Our translation from Middle High German
von des stéines kraft der fènis verbrinnet, daz er z’aschen wirt: diu asche im aber leben birt.
The colour of the weather
The stone is yellowish, dark in darkness and clear in the light, for it feels the air, as people say.
Konrad von Megenberg (1309–1374)
Buch der Natur · 1861 · p. 449
Our translation from Middle High German
der stain ist gelvar und ist in der vinster tunkel und an dem lieht klâr, wan er enpfindet des luftes, sam man spricht.
Renaissance natural philosophy
There is therefore a wonderfull vertue, and operation in every Hearb, and Stone, but greater in a Star
Heinrich Cornelius Agrippa von Nettesheim (1486–1535)
De occulta philosophia · 1651 · p. 31
Excerpt. English translation by J. F., 1651
There is therefore a wonderfull vertue, and operation in every Hearb, and Stone, but greater in a Star, beyond which, even from the governing Intelligencies every thing receiveth, and obtains many things for it self, especially from the Supream Cause, with whom all things do mutually, and exactly correspond, agreeing in an harmonious consent, as it were in Hymnes, alwaies praising the highest Maker of all things, as by the three children in the fiery furnace were all things called upon to praise God with singings.
Courtly romance
Love too should be crystalline, transparent and clear all the way through.
Gottfried von Straßburg (active c. 1200)
Auszwal ausz Gottfrids von Straszburg Tristan · p. 216
Our translation from Middle High German
diu minne sol ouch kristallîn durchsihtic unt durchlûter sîn.
Light in amber
As a ray shines in glass, in amber or in crystal, with no interval between its coming and its being wholly there, so the threefold work of its Lord shone all at once into existence, with no difference in its beginning.
e come in vetro, in ambra od in cristallo raggio risplende sì che dal venire all’esser tutto non è intervallo; così il triforme effetto del suo Sire nell’esser suo raggiò insieme tutto, senza distinzion nell’esordire.
Romantic natural philosophy
Should not a stone and an animal correspond to every plant?
Sollte nicht jeder Pflanze ein Stein und ein Thier entsprechen?
Ancient botany
[…] if one makes a hole in a tree and puts a stone into it or some other such thing, it becomes buried, being completely enveloped by the wood which grows all round it […]
Theophrastus of Eresus (c. 371–c. 287 BCE)
Enquiry into Plants · 1916 · p. 431
Wording of the English edition.
Medieval natural history
It is established, however, that it is the sap of the pine rather than the poplar, for when lit it gives off the scent of resinous pinewood. It forms like gum on the islands of the northern ocean and, like crystal, grows dense through cold or time.
Isidore of Seville (c. 560–636)
Etymologiae · 1911 · XVI, 8, 6–7
Our translation from the Latin edition.
Constat autem eum non esse sucum populi, sed pineae arboris; nam accensus taedae nidore fragrat. Nascitur autem in insulis Oceani septentrionalis sicut gummis, densaturque ut crystallum rigore vel tempore.
Roman natural history
In the vicinity of Munda in Spain, the place where the Dictator Caesar defeated Pompeius, there are stones found, which, when broken asunder, bear the impression of palm leaves.
Dramatic poetry
Lean them the cliffs thereon, Grapple the roots thereon,
Johann Wolfgang von Goethe (1749–1832)
Faust, Part Two · 1908 · p. 333
Wording of the English edition.
Felsen, sie lasten dran Wurzeln sie klammern an,
Art and landscape
[…] creatures full of pity, covering with strange and tender honor the scarred disgrace of ruin, — laying quiet finger on the trembling stones, to teach them rest.
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